MUSIC AND DRAMATURGY

The words, in dramaturgy, do not represent simply meanings to reach for in mythologic, cosmologic and philosophic interpretations, but they are sound elements, are voice fragments.
So, the sound of words, the voice, that shows deep roots in our interiority, meet and play with the sounds created by Fiamma, in a dialogue, first of all a music dialogue between Fiamma and the two fantastic characters, Speranza and Tavi.

Music is not only present in the typical concert spaces, where Fiamma will play her compositions, but it will be present all along the theater concert, as a soundtrack together with the narration of Speranza and Tavi, till emerging completely during the executions of those 16 compositions.
Infact, the theater concert is based on 16 scenes, each for every composition executed by Fiamma, playing piano and other acoustical instruments.

Sorrounded by music, Speranza will talk to us about nostalgia, that she carries with herself, nostalgia, that she inheritates also as symbol of compassion and affinity towards human beings. Nostalgia, that is caused apparently by the separation of Speranza from her Kingdom, lost in the stars Universe.
On the other hand, Tavi, male character, that walks side by side and associates with Speranza on the scene, though in his detachment of wisdom, looks for and look at the mankind through the heart and the eyes of Speranza.

Anyway, what do Speranza and Tavi represent?
They are two human images, through which ancient. non dual wisdom gains shape, body and voice, that went through centuries and through all the continents of planet Earth, till reaching us, to discover again the deep and spiritual value of life of all of us, human beings, often lost and unaware about the fact that we are contained inside a Great Soul, a Great Spirit.

THE CONCERT in the TAIL FORM

The concert has a progressive development, starting from a tail form, with limited scene actions and with essential scene lights.

An essential tail form exists with the presence of an actress and an actor, with the music sustained simply by Fiamma Velo, playing piano with other musical instruments.

Then, we can propose other two versions: the first one, where we add the presence of one violin, and the second one, where Fiamma plays together with a string ensemble (violin, viola and cello).
Though with these variations, Speranza and Tavi will lead us in their tail, together with the evocative, sometimes dreamlike music by Fiamma Velo.

The theater concert, in the essential tail form, is developed, to facilitate the presence of the concert in contexts such as music festivals, literature, philosophical and poetry festivals and meetings.

THE CONCERT in the INTEGRAL FORM

Starting from the core of the tail form for the concert of Fiamma, the project can become even more complex, introducing the presence of dances with coreography, underlying the scene actions of Speranza and Tavi and playing, on the scene space, with lights , conveniently designed.

Also in the integral form of "The secrets of the soul .. between the stars and the sea", we can propose three versions: the first one, only with the musical presence of Fiamma Velo, playing piano; the second one, with piano and violin; the third one, with piano and a string triplet.

In particular, the presence of the string ensemble (violin, viola, cello) gives a better harmonic sustain to the music compositions by Fiamma.
Anyway, with or without the presence of the strings, the music by Fiamma keeps a strong sentimental and emotional impact, that arises from the creative sensibility of Fiamma.
And that creative sensibility finds in the piano keys some amazing allies, to lead us in a world of imagination, composed by water colors and environments, where the sea can carry us to our primordial origin.